Monochrome Saiteninstrumente in ambulanten und klinischen Settings

Monochrome Saiteninstrumente in ambulanten und klinischen Settings

Wissenschaftliche Analysen, Falldarstellungen und Erfahrungsberichte

The important role of receptive music therapy within medical treatment is illustrated by the descriptions of psychodynamic processes, the depiction of intrapsychic change in the silent process of sound experience and the potential resources and resilience of those being treated that comes to the surface.

Music therapists from Austria, Germany and Switzerland present their extensive knowledge and experience. It should not go unmentioned that this book project, which transcends national borders, is particularly pleasing in this respect, because in Switzerland, music therapy work has focussed on the use of sound from monotonal stringed instruments for more than 20 years, and with very good results. Pioneering personalities here were Joachim Marz (fmws since 1992) and Hans Hägi Santana (KLA since 2008).

This collection of essays aims to open up new perspectives with regard to this specific field of receptive music therapy. Insights into new areas such as prevention research are provided, while space is given to little-researched areas such as the effective use of the concert monochord in child and adolescent psychiatry. In-depth examinations of trance and mystical experiences, as well as use in psychiatry, addiction treatment and, finally, at the end of life, explicate music therapy treatment experiences. The results from outpatient and clinical settings are supported by extensive case studies. In addition, the functions and effects of the therapeutic string instruments are clearly explained.

Über den Autor

Christiane Trost, born in 1970, early courses of study (teaching degree, Magistra Artium, church music) at the Universities of Rostock and Greifswald in the fields of music and musicology, philosophy, theology, education, literature and linguistics. Yoga teacher training, further training in rhythm and elementary movement and dance pedagogy/ University of Salzburg, music and psychotherapy further training (HP/psychotherapy/ Hamburg, Bachelor Psychology/ Hagen, Guided Imagery and Music/ Berlin, Frohne-Hagemann, trance and body therapy/ Würzburg, Strobel ), Master Music Therapy/ Berlin UdK. Since 2000, Christiane Trost has been working as a freelancer in various institutions and in her own practice as a lecturer and teacher in various disciplines, as a musician and music therapist. In addition to working for the SAPV at the Rostock Children's Hospital, she works in a hospice. Since 2008, the author has been working intensively on the effects and therapeutic use of monochrome stringed instruments, and in 2021 she published "The Body Monochord in Individual Music Therapy Work". She is also currently working as a teaching therapist and freelancer at the Deutz instrument workshop in Berlin.

Seit 2000 freiberuflich arbeitet Christiane Trost in diversen Einrichtungen und in eigener Praxis als Dozentin und Lehrerin verschiedener Fachbereiche, als Musikerin und Musiktherapeutin. Neben der Tätigkeit für die SAPV der Kinderklinik Rostock arbeitet sie im Hospiz. Seit 2008 beschäftigt sich die Autorin intensiv mit der Wirkung und dem therapeutischen Einsatz von monochromen Saiteninstrumenten, 2021 erschien dazu „ Die Klangliege in der musiktherapeutischen Einzelarbeit“. Gegenwärtig wirkt sie zudem als Lehrtherapeutin und freie Mitarbeiterin der Instrumentenbauwerkstatt Deutz in Berlin.